Devin's new single Masochist is out today, and you can preview it below.
It's proper guitar music, fast-paced and noisy from the get-go, and ideal for shutting out the world around you on the commute to school or work.
As for the vocals, well, Devin has the kind of voice you might expect to hear snarling from the front of a 1960s-70s rock group, the lyrics tripping from his tongue as though it were second nature to him - and to be fair, it probably is.
Masochist is available from April 23rd, a week ahead of Devin's upcoming album, Romancing, which should hit stores on April 30th.
But why wait for the album? If you love Masochist, you can buy the video now at iTunes - just click the button below.
If you're wandering round Manchester in the next few days and somebody shouts "MacIntyre!", it probably doesn't mean they've just spotted Donal filming his latest undercover series - they may just have been at the Royal Northern College of Music last night.
The Futureheads ended their ten-date a capella tour in style at the RNCM Theatre, supported by the brilliant Cornshed Sisters and further guests including the Northern Quarter Boys' Choir.
Events kicked off at 8pm with an accomplished 45 minutes from the Cornshed Sisters, adequately filling their role as warm-up act with a set that started slow and emotional, before building to a faster, more upbeat tempo. True to the spirit of the tour, they threw in some a capella music, along with tracks from their newly released album, Tell Tales.
As a four-piece, the girls work incredibly well - each with their own distinct style and voice, but with harmonies that soared to the ceiling of the RNCM Theatre, a venue the Cornsheds claimed to be 'too good for them', before delivering a performance that's likely to make many audience members disagree.
We were advised to get there in time to catch the support act, and I'm truly glad we did - the girls performed original music to an excellent standard, and fully served their purpose in setting the stage for the main event.
You can grab a three-track preview of Tell Tales using the widget above, or click below to visit the album page on iTunes for more previews and purchase links.
With the Cornshed Sisters out of the way, there was just time to grab a pint before the main event of the night - a two-hour set from The Futureheads that was at times hilarious, at times emotional, and occasionally involved the audience in true live-gig style.
Although the tour was ostensibly a capella, there was plenty of acoustic music too, with a whole rack of strings brought on to the stage at the start that ranged from ukuleles to cellos - and a few guitars, as you might imagine.
I was pretty pleased to see the set open with Richard Thompson's Beeswing, one of several cover versions to make it on to Rant, and one of my own favourite songs by Thompson. The Futureheads performed it as a group - as with much of their live music, there's no feeling of any one member really 'owning' the stage - and with plenty of flair.
The enduring sense from the first verse (and through until the end of their encore) was that a capella is not just a gimmick for the four-piece, and the academic surroundings of the RNCM helped to hammer home the impression that the genre is alive and well, and every bit as entertaining and relevant now as it has ever been.
An eclectic set list incorporated drinking songs, sea shanties, the Black Eyed Peas and a few Futureheads classics, including the moving News and Tributes, a particularly fitting choice for Manchester thanks to its historical references to the 1958 Munich air disaster.
With just two days off among their ten tour dates, the strain was beginning to show a little - not on the group, but on their instruments. A snapped guitar string and a broken strap reduced the number of instruments available, and forced a couple of the performances to be slightly more 'a capella' than intended. And an ill-timed fade-out of the lights led to minor disaster as Jaff smashed the resin for his cello bow. Oops.
Other than that, things went fairly smoothly, even when the audience were called in to help with claps, clicks, foot-stamps and cries of "MacIntyre!" (during the classic drinking song, When The Old Dun Cow Caught Fire), and a generally good time was had by all.
As befits the last night of a tour, the Cornshed Sisters returned to the stage for the last few songs, accompanied by the Northern Quarter Boys' Choir, and the singers stepped back from their microphones to fill the auditorium with what felt like genuinely unplugged vocals.
With at least 20 people on stage, and a good mix of male and female voices, those performances in particular brought the evening to a crescendo, and were among the most absorbing of the night for me. Soon enough, though, it was over, and The Futureheads rounded off the main gig with a final few minutes on their own, after thanking the departing Cornsheds and Boys' Choir.
An all-too-brief encore satisfied the rousing calls for more - the group joked that they hadn't stayed off the stage for long enough to build suspense, but there had been time for thunderous applause, foot-stamping, shouts for more and a slow handclap. There may have been a riot if they hadn't come back out as soon as they did.
Hounds of Love - in a capella, naturally - was the final song of the night, a perfect balance of humour and emotion that summed up not just the previous two hours, but the full three hours since the Cornshed Sisters had first stepped on to the stage.
As far as I could tell, the audience left in good spirits, with an open invitation from The Futureheads to make the short walk to the Deaf Institute to join them at a Prince night. Any gig where you're left with an invite to party with the band has got to be good...
The Cornshed Sisters have several further live appearances coming up, including London's Rough Trade West Instore today (do they not rest??) and the CornShed Festival in North Yorkshire on July 6th.
The Futureheads - Rant is out now, and you can read our full review here or click below to visit the album's page on iTunes.
Today sees The Futureheads' a capella album Rant go on sale, along with the double A-side of Meet Me Halfway/The No.1 Song in Heaven, and the start of the group's UK tour to promote the album. The tour kicks off in Brighton tonight, ending in Manchester on April 13th after ten performances and just two nights off. It's a hectic schedule, and it's probably no surprise to see 'Glee Club' listed as the venue for both Birmingham and Nottingham, given the furore surrounding the TV show Glee.
If you're expecting senselessly uplifting, pseudo-a-capella power ballads, though, Rant is not for you. It's proper a capella, and that means no backing track, just a symphony of voices providing everything from the vocals to the instrumentals. It's a celebration of the human voice, and of a broad range of tracks including The Futureheads favourites, a reinvented Black Eyed Peas tune and a folk-rock classic from Richard Thompson.
You might expect a fairly confused result, with such broad influences, but The Futureheads' distinctive vocals are understandably even more evident on Rant than on some of their previous works, and the outcome is actually a very consistent and impressive album.
New from Dan Mangan today is Rows of Houses, taken from his album Oh Fortune.
If you've missed the album so far since its release, it's the perfect chance to catch up - Rows of Houses is a measured and emotional composition, without becoming boring, and an excellent place to start listening to Oh Fortune as a whole.
For Dan Mangan fans, it's also the precursor to a UK tour that gets underway on April 27th and takes in eight dates nationwide - full details below.
You can preview the track below - it's a little over four minutes long, and well worth listening through to the end to fully appreciate the nuances in the way Rows of Houses develops from verse to verse.
If you'd like to know more about Oh Fortune, you can read our full review here - there are more full-track and part-track previews, and our overall rating of 86% is none-too-shabby even by our fairly generous standards.
To visit the album's page on iTunes, or to download Oh Fortune, use the button below.
Tour Details
April
27th: BRIGHTON, The Hope
28th: MANCHESTER, Castle
29th: GLASGOW, Stereo
May
1st: NEWCASTLE, Cluny 2
2nd: BRISTOL, Louisiana
3rd: LONDON, Bush Hall
4th: OXFORD, Jericho Tavern
5th: LEEDS, Holy Trinity Church
If you think a capella music is what you see (and hear) on Glee, prepare yourself for an education in how it should be done, courtesy of The Futureheads.
Rant is an 11-track album (with a bonus 12th track for digital downloaders) consisting of voice-only covers of classic Futureheads songs, along with a couple of curiosities ranging from a Black Eyed Peas cover (Meet Me Halfway) to a Richard Thompson track (Beeswing).
Vocalist and guitarist Barry Hyde says the group have earned the right to do something a little different, after spending so long together.
"We're bringing to the fore what we're really about: a unification, a gang mentality, which is in the balance between our voices and our personalities."
The album is due out on April 2nd, but the previews are already making their appearances. So if you can't wait for Rant, you can preview Robot using the SoundCloud player below.
We'll be keeping an eye on this one, so look out for a full album review closer to the release date.
Starling, from This Many Boyfriends, is something a little different from the norm - it was released last week and, as well as being a pop song, it's also the title of the accompanying limited-edition fanzine, which you can see below.
Because This Many Boyfriends are so generous, you can also stream the single and its B-side, Just Saying, using the SoundCloud player below.
Starling is energetic but melodic, fast-paced but carefully measured, and a fine example of the north's musical heritage and modern-day prowess from the Leeds-based indiepop band, and is dedicated to their friend Peter Sykes, who was involved in the writing and recording process on the track.
A look ahead to February 20th, when Benjamin Francis Leftwich's new single, Pictures, is due to go on release.
It's a stunning voice-and-guitar piece, of the sort that always seems to resonate with listeners of all kinds, and its appeal is undeniable.
Reminiscent of Cinematic Orchestra's 'To Build A Home' - albeit with guitar, not piano - Pictures has lyrics that demand to be listened to and that sense of being able to feel every movement of fingertips across guitar strings.
Pictures is due out in single form on February 20th, but it is also to be found on Benjamin Francis Leftwich's album, Last Smoke Before The Snowstorm - click below to open the album page on iTunes.
Attack on Memory is the new album from Cloud Nothings, a year after their debut and hot on the heels of their first UK tour. It's a coming of age for the group, who are a long way from their origins back in Cleveland.
It's a raucous racket, with strained vocals and deliberately heavy drumming, so prepare yourself for an energetic listening experience. If you like to shut out the world around you with loud indie music, this is the album for you. If the last album you bought was by Beethoven, you should probably steer clear of this one.
Boy Friend's debut album Egyptian Wrinkle snuck onto Popsiculture's pages back in December when we gave you a preview of the title track. Now the full thing is available and there are ten lush tracks to lose yourself in over the course of slightly-more-than half an hour.
In case you missed our December preview, Boy Friend are Christa Palazzolo and Sarah Brown, a pair who have worked together on several music projects during their 15-year friendship, but who only formed this duet in late 2010. Releases quickly followed - a self-titled EP at the start of 2011, and a 7" entitled Lovedropper in May 2011.
Egyptian Wrinkle is their first full-length album, but seems unlikely to be their last. There's a whole world of music wrapped up inside its jewel case, from the uplifting to the unnerving, and it's the kind of stuff that makes you really feel something - and that's always in demand, somewhere or other.
Intro to Fractions, the new album from Atlantan three-piece All the Saints, offers a melding of mellow guitar with heavy rock drums, yielding an invigorating yet relaxing 35 minutes of music separated into 12 bite-sized tracks for easy digestion.
Some four years since the release of Fire on Corridor X, the trio's debut, singer and guitarist Matt Lambert explains the extra thought that went into the compositions that made the Intro to Fractions shortlist.
"There wasn't much room for repeating ourselves - you can bury your instruments, your words, in effects forever, but eventually you'll have to say something," he says.
With Intro to Fractions, the group have made a strong return that is rich in a sense of their musical origins - recorded at numerous studios throughout the Atlanta area, and with the help of stalwarts of the local music scene.
