
This is Tomorrow Morning, the latest instalment in the Eels franchise - if that's the right word (it's not). There are similarities and differences between this and previous efforts, which probably goes without saying. It's good - which, with E, also really can be taken as a given. Personally, I think with Eels you just have to give it a go and see what you think. That being said, if you want to know what I think, do read on...
High Points
Track one, In Gratitude For This Magnificent Day, is a fitting return to get things going with a bit of energy but the same characteristic melody that you might expect from an Eels album. Its immediate follow-up, I'm A Hummingbird, contrasts starkly with a much more mellow feel to it and some very subtle, understated drama. Revel in the vocals on a track that seems designed to showcase Mark Everett's distinctive voice.
Living up to its name, This Is Where It Gets Good, at 6:18, is almost two full minutes longer than its nearest rival. That doesn't automatically make it a high point of the album, but the cycle of moods - with trance-like interludes and sequences of building drum beats leading to the later parts of the song - creates a structure that copes well with the long instrumental ending. It's a strange composition, and hard to explain or describe, but give it a try and see what you think.
The Verdict
As usual, there are positives and negatives here. I love the definite Eels flavour to the whole album - much of the music and vocals alike could be from any earlier album. But there are a couple of things that are hard to pin down, but take the shine off for me. I think it's probably the injections of energy that disrupt the pace of the album as a whole. Of course, there's no reason to listen to an album all the way through any more. Just download the tracks you want and forget about the rest.
If you're still a fan of physical CDs and not just mp3 downloads, don't be dissuaded. If you're a fan of Eels, definitely don't be put off. There's plenty of Mark 'E' Everett's trademark style all over this album to satisfy, and a good few songs that are reminiscent of the very best Eels music from the past 15 years. Don't let this be the missing disc in your Eels collection - get your order in now, you won't be disappointed.
Final Score: 75%
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